f/2
Aperture
2.0
Stops less light than f/1
25.00%
Light vs f/1
42.7 cm
DoF: 50 mm at 3 m (FF)
2.7 µm
Airy disk diameter
Depth of field at f/2 (full frame)#
| Focal | at 1 m | at 2 m | at 5 m | at 10 m | Hyperfocal |
|---|---|---|---|---|---|
| 16 mm | 48.7 cm | 2.37 m | ∞ | ∞ | 4.28 m |
| 24 mm | 20.5 cm | 86.0 cm | 7.09 m | ∞ | 9.62 m |
| 35 mm | 9.5 cm | 38.9 cm | 2.58 m | 12.8 m | 20.5 m |
| 50 mm | 4.6 cm | 18.8 cm | 1.21 m | 5.06 m | 41.7 m |
| 85 mm | 1.5 cm | 6.4 cm | 40.9 cm | 1.66 m | 121 m |
| 135 mm | 0.6 cm | 2.5 cm | 16.0 cm | 65.0 cm | 304 m |
| 200 mm | 0.2 cm | 1.1 cm | 7.2 cm | 29.4 cm | 667 m |
Diffraction at f/2#
Diffraction softening becomes visible at 100% once the Airy disk spans more than about two pixels. It is a gradual effect, not a cliff.
| Sensor | Pixel pitch | Airy disk / pixel | Pixel-level sharpness |
|---|---|---|---|
| Full frame 24 MP | 6.00 µm | 0.4× | no visible loss |
| Full frame 45 MP | 4.39 µm | 0.6× | no visible loss |
| Full frame 61 MP | 3.79 µm | 0.7× | no visible loss |
| APS-C 24 MP | 3.92 µm | 0.7× | no visible loss |
| APS-C 40 MP | 3.04 µm | 0.9× | no visible loss |
| Micro Four Thirds 20 MP | 3.34 µm | 0.8× | no visible loss |
| 1-inch 20 MP | 2.41 µm | 1.1× | no visible loss |
| Smartphone 1/1.3" 50 MP | 1.17 µm | 2.3× | slight softening |
f/2 on smaller sensors equals…#
Exposure (brightness) is the same at a given f-number on every format; equivalence describes depth of field and total light.
| Used on | Full-frame equivalent depth of field |
|---|---|
| APS-C (1.5×) | f/3.0 |
| Canon APS-C (1.6×) | f/3.2 |
| Micro Four Thirds (2×) | f/4.0 |
| 1-inch (2.7×) | f/5.4 |
Shutter speed at f/2#
| Light | ISO 100 | ISO 400 | ISO 1600 | ISO 6400 |
|---|---|---|---|---|
| EV 15 · Bright sun, distinct shadows (Sunny 16) | 1/8000 s | too bright | too bright | too bright |
| EV 13 · Cloudy-bright, no shadows | 1/2000 s | 1/8000 s | too bright | too bright |
| EV 12 · Heavy overcast / open shade | 1/1000 s | 1/4000 s | too bright | too bright |
| EV 10 · Just after sunset | 1/250 s | 1/1000 s | 1/4000 s | too bright |
| EV 8 · Bright interior, city street at night | 1/60 s | 1/250 s | 1/1000 s | 1/4000 s |
| EV 5 · Home interior at night | 1/8 s | 1/30 s | 1/125 s | 1/500 s |
| EV 2 · Distant city lights | 1 s | 1/4 s | 1/15 s | 1/60 s |
| EV -2 · Moonlit landscape | 15 s | 4 s | 1 s | 1/4 s |
When to use f/2#
f/2 is a go-to setting for low light, shallow depth of field, creamy bokeh and subject isolation — the classic portrait and night-street aperture.
Detailed depth-of-field tables#
Other apertures#
Frequently asked questions#
Is f/2 a wide aperture?
Yes — f/2 is a wide (fast) aperture that lets in lots of light. Smaller numbers mean larger openings.
How much light does f/2 let in compared to f/2.8?
1.96× (+1.0 stops).
Last updated October 03, 2026 · How we calculate · Sources